help
the lyrics live in this app now. the markdown in
~/notes/zen/music/congo seeded the database once and is still
mounted read-only — congo has never written to it and does not start now.
dump writes every song back out as markdown, outside the
container, which is the copy that is not in the database.
commands
the bar is a command line. it resolves on the server, so every command here works with javascript switched off -- type it and press enter. a "?" in a search is an ordinary character, never a wildcard.
moving around
- cd wanga
- into an album
- cd ..
- up one level
- ~
- home, the album index
- ls
- list what is here, without going anywhere
- ls -l
- the same, with counts.
lis shorthand - ls -t
- albums newest first, by the release linked to each.
-rreverses it, sols -ltrworks - ls -g christian
- only the albums holding a word the glossary files under one of its categories
making something new
- mkdir a-record
- start an album the corpus has no directory for. it lives in the database and reaches the notes through
dump - rmdir a-record
- remove one. refused if anything has been transcribed in it
- rm the-fool
- remove a tarot card. refused if anything is written on it. the picture stays
- g add ziran - self so
- a word the glossary does not have.
g add daoist/ziranpicks the heading from the bar, and a heading that does not exist yet is typed on the page - g edit dao
- change one: its name, its heading, what it means, and the spellings it is matched by
- g rm ziran
- remove one. the lyrics are not touched — a mention is derived
opening a song
- cat a-door
- print a song without leaving for it
- v a-door
- open a song.
vimworks too - e a-door
- edit a song. bare
eedits the one you are reading - ln a-door
- the link to send somebody: one song, at an address nobody can guess, and revocable. if it already exists it goes to the clipboard. bare
lnis the song you are reading
searching
- /wanga
- search the corpus. a bare word searches too
- grep dao
- search, for the fingers that type it
- wc
- word counts.
wc jahfor one word
the other pages
- g
- the glossary.
g daogoes straight to a term - ?
- the uncertainties, scoped to where you are
- dump
- write every song back out as markdown, outside the container.
exportworks too - help
- this page.
hworks too
arguments match exactly first, then on a prefix, then anywhere -- so
v inner reaches the inner- songs. a word that merely starts with
a command name is still a search: love, cdr and
goobi all search.
keys at the bar
- tab
- complete as far as the candidates agree, then walk them
- tab after -g
- the glossary categories, since that is what the flag takes
- shift tab
- walk them backwards
- ↑ ↓
- the same walk, and enter follows it
- /
- focus the bar from anywhere on the page
- esc
- close the list, then hand the page back to the keyboard
- ` or ctrl k
- the palette: the bar, enlarged
the bar holds the cursor when a page loads, so you can just type
marks in a lyric
- a term
- a glossary word. it links to what the glossary says
- a guess?
- chad is unsure he heard this right
neither marking changes a letter of the line. a "?" is evidence about a sound, not a typo, and it is never stripped or corrected anywhere in this app.
uncertainties
every word marked ? in the corpus, in one place, with whatever
has been concluded about it. ? in the bar goes there scoped to
where you are: from a song it means that song, from an album that album.
the four ways a word can be uncertain
- i tune? the wanga
- trailing — the word is a phonetic guess at a real vocal
- nerve ? fires
- bare — a word was heard and not made out at all
- ?some think it's
- leading — an unheard word runs into the next, so the boundary itself is in doubt
- with ghosts (goats?)
- parenthetical — a competing reading already written down
the letters around a ? are evidence about a sound, not a typo,
and nothing in this app strips or corrects one.
what one of them shows
- the line
- and the two either side, because the word boundary may be what is wrong rather than the word
- the same shape
- elsewhere in the corpus. the same sound heard three times is worth more than one guess
- glossary terms
- that sound like it. an unknown word is more often a term from one of the traditions than a mishearing
- readings
- what has been suggested so far, and why
working one out
- suggest
- write down a reading and the reason — syllables, stress, a term it might be
- resolve with this
- pick one. it records the decision and nothing else
- reopen
- take the decision back
resolving does not touch the lyric. the app records what was concluded and the edit in the file is yours — the same division as everywhere else here, where nothing rewrites a line you did not rewrite.
the list
- worst first
- the ones nothing is known about, before the ones with a reading
- by song
- in file order instead, for working through one song
- outstanding · resolved
- which half of them to look at
a reading survives you editing the line it is about. it is anchored to the
line's text and which occurrence of the token it is, not to a line number,
because refining the spelling around a ? is the work — if
a line moves far enough that the match is uncertain, it is flagged for
review and put first rather than quietly dropped.
the editor
ways in
- e a-door
- open that song for editing
- e
- edit the one you are reading
- the same press, at the end of every transcribed row in a listing and above a lyric
what you are holding
- the file itself
- trailing spaces, dialect spellings, every
?. nothing here strips or corrects a character of it - the body only
- not the title, the track number, or which album it belongs to
writing
the commands
- w
- write. the page stays where it is
- wq
- write and go back to reading it.
xworks too - q
- leave. refused if there is unwritten work
- q!
- leave and throw away what was typed.
Qworks too - w!
- write over a version saved since this one was opened
worth knowing
- the colon
- optional.
wand:ware the same thing - the buttons
- the three beside the line say the same three things, so the editor works with javascript switched off
- a changed song
- if it was saved by anything else while you had it open, the write is refused rather than quietly winning.
w!is how you insist
keys in the buffer
the keys
- ctrl s
- write, for the hand that reaches for it. the same as
w - esc
- hand over to the editor's
:line - ctrl space
- play and pause
- ctrl j
- back five seconds
- ctrl k
- forward five seconds
- ctrl '
- loop the six seconds just heard. again to stop
worth knowing
- the cursor
- the buffer holds it when the page loads, so you can just type
- only in the buffer
- everywhere else
ctrl kopens the palette, and the transport at the foot is there to be clicked - inside a loop
ctrl jandctrl kmove the whole window instead of seeking, so you walk it onto the word rather than aiming at it- the line below
- a press goes somewhere else entirely, and says the time it would land on before you commit to it
- the panes beside
- the glossary and the uncertainties are as of the last write, not of what is on the screen
the player
- what it is
- congo plays nothing itself. it drives spotify, so spotify has to be running somewhere
- one device
- an account plays in one place at a time, so starting something here pauses whatever else it was on
- a round trip
- every command goes to spotify and back, which is why a loop comes round with a small gap in it rather than seamlessly
- press, not drag
- the line jumps to where you press it. dragging would be silent aiming -- you would hear nothing while you moved